Throughout my career, I've worked in various studios, depending on the circumstances and techniques.
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In Dijon, I worked at the kitchen table and used a chair as an easel, which worked fine, but in Belgium, I already had a proper easel.
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In Rotterdam, I initially worked from home, then rented a studio for a while in a studio building where various artists had their workspaces.
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When I started making etchings, I had to adapt my studio to accommodate everything I needed: the press, paper storage, heating table, etc.
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For many years now, I've been working from home again, where I fortunately have plenty of space.